Classical Music

James Gilray's "The Pic-nic Orchestra" (1802)
Credit [London] : Pubd. April 23d 1802 by H. Humphrey St. James's Street, [1802] / https://collections.nlm.nih.gov/catalog/nlm:nlmuid-101455846-img

Interlochen Public Radio is your gateway to news and classical music from Interlochen Center for the Arts. Learn about new music, upcoming performances and more.

A Philip Glass Moment That Could Last Forever

Jan 25, 2017
Marty Sohl/Metropolitan Opera

Rossini’s Il Barbiere di Siviglia starring soprano Pretty Yende as the feisty Rosina, tenor Dmitry Korchak as the love-struck Count Almaviva, and baritone Peter Mattei in the title role of the barber Figaro.  Maurizio Benini conducts the performance which also stars Maurizio Muraro as Dr. Bartolo and Mikhail Petrenko as Don Basilio.

Listen LIVE on Classical IPR on Saturday, January 28 at 1pm ET.

 

One of the nation’s leading string quartets, the Cypress String Quartet, is ready to hang up its bows. After a 20-year career, during which they were hailed by the New York Times as “tender and deeply expressive,” the ensemble played their farewell concert this past June--but they weren’t quite finished. In January 2017, the ensemble gave their fans a final gift: one last album.

Welcome to Episode 35 of Show Tunes with Kate Botello! Coming up: musical matchmaking and upcoming openings. At Intermission, a stern but hilarious lesson in social media etiquette from Nate Patten and Cam Collins, hosts of the theatre podcast, #BookedIt. In Act Two - ever been so moved you called your loved one’s name in song? These people have.

 

Click through for this week's playlist!

 


Last year, Brazil lost one of its most famous musicians: Naná Vasconcelos, who put an instrument called the berimbau on the world's musical map. It's a kind of bow with a gourd attached, and it is the inspiration for a new album, MeiaMeia: New Music for Berimbau, by the group Arcomusical.

For nearly five decades, Daniel Barenboim has been making a case for the symphonies of Anton Bruckner. Tonight at Carnegie Hall, the conductor begins a complete cycle of Bruckner's nine numbered symphonies, leading the storied Staatskapelle Berlin.

Most Broadway musicals that close after 16 performances barely prompt memories, let alone documentaries. But in 1981, the Stephen Sondheim/George Furth opus, Merrily We Roll Along, rolled along so bizarrely, it became the stuff of Broadway legend, worthy of a 2017 post-mortem. Best Worst Thing That Ever Could Have Happened is a theatrically captivating documentary in which a director looks sideways at a musical that goes backwards.

The week of January 9, 2017, we featured Lorelei Ensemble's RECONSTRUCTED as our New Release of the Week.

IPR's Director of Development, Emily Culler, is one of the nine founding members of the Lorelei Ensemble. She dropped by Studio B on Friday, January 13 to play us some highlights from the album, and to chat about Lorelei and the techniques and styles that came together in its creation.

Ken Howard/Metropolitan Opera

Gounod’s adaptation of the Shakespeare classic, Roméo et Juliette, starring soprano Diana Damrau as Juliette, opposite tenor Vittorio Grigolo as Roméo. Gianandrea Noseda conducts, in Bartlett Sher’s new production which also features Virginie Verrez as Stéphano, Elliot Madore as Mercutio, and Mikhail Petrenko as Frère Laurent.

Listen LIVE on Classical IPR on Saturday, January 21 at 1pm ET. 

 

Italian pianist Marco Vincenzi and the Dynamic label bring us a world-premiere album over 100 years in the making.

Welcome to Episode 34 of Show Tunes with Kate Botello! Coming up: we’re just into the new year, so we want to look back at some of the best shows that came out in 2016. We’ll revisit some numbers that we’ve played in previous episodes, and hear a few that we haven’t heard yet. The wayback machine will stay on for Intermission, with a look at classic shows with bad reviews.

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Recently, NPR brought you the story of one of 2016's most successful musicians: Wolfgang Amadeus Mozart. Last year, the Universal Music Group released a 200-CD box set of the composer's works. Multiply that by the 6,000-odd sets sold worldwide as of early December, and you had 1.25 million CDs. And that, we said, had given Mozart a hit release.

 

For many performers, making your way in music is all about finding your niche.

That’s what makes Conrad Tao’s musical multitasking so unique. Tao doubles as both a concert pianist and a composer, with repertoire ranging from Ravel and Rachmaninoff to modern compositions, including his own. Unlike many of his peers, Tao has never felt the pressure to choose one path—in part because he realizes that the choice to pursue composition or performance does not have to be either-or.

 

Since 2007, the Boston-based Lorelei Ensemble has been reinventing women’s vocal music. The ensemble includes nine professional vocalists, united by a goal of advancing the women’s ensemble and expanding repertoire for female vocalists. The ensemble performs both as the full nine-voice unit and as smaller ensembles of selected members. Besides commissioning more than 50 new works since their formation, the ensemble has also reinvented classic Medieval, Renaissance and Baroque pieces.

Marty Sohl/Metropolitan Opera

Puccini’s La Bohème, the most-performed opera in the company’s history, starring Ailyn Pérez as Mimì, Michael Fabiano as Rodolfo, Susanna Phillips as Musetta, and Alessio Arduini as Marcello. Carlo Rizzi leads the cast which also features Alexey Lavrov in the role of Schaunard, Christian Van Horn as Colline, and Paul Plishka as Benoit/Alcindoro.

Listen LIVE on Classical IPR on Saturday, January 14 at 1pm ET.

Classical composers have long had their patrons: Beethoven had Archduke Rudolph, John Cage had Betty Freeman. For contemporary opera composers, there's Beth Morrison. She and her production company have commissioned new works from some of the most innovative emerging composers today.

Georges Prêtre, the French conductor with a seven-decade career that included close associations with Maria Callas and many of the world's top orchestras, died Wednesday in France at age 92.

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