Classical Music

James Gilray's "The Pic-nic Orchestra" (1802)
Credit [London] : Pubd. April 23d 1802 by H. Humphrey St. James's Street, [1802] / https://collections.nlm.nih.gov/catalog/nlm:nlmuid-101455846-img

Interlochen Public Radio is your gateway to news and classical music from Interlochen Center for the Arts. Learn about new music, upcoming performances and more.

Ken Howard/Metropolitan Opera

Sebastian Weigle returns to the Met to conduct his second Saturday broadcast with the company, Beethoven’s only opera, Fidelio, starring Adrianne Pieczonka as Leonore and Klaus Florian Vogt as Florestan. Fidelio, which was last seen at the Met in 2006, tells the story of Leonore, who disguises herself as a young man named Fidelio in order to free her husband Florestan, a political prisoner.

The Finnish composer Jean Sibelius is best known by classical music listeners for his orchestral works, including several symphonies and the famous tone poem “Finlandia.” But Sibelius’s vast output also includes nearly 100 songs.

 

Music By Request Playlist for March 25, 2017

Mar 25, 2017
Museum of Modern Art

Thanks to listeners in Cadillac, Oklahoma City, Honor, Farmington Hills, Petoskey, Traverse City, Ludington, and many other places for your requests this week.

1. Georges Bizet, Carmen, March of the Toreadors; Myng Whun Chung/Bastille Orchestra

2. Arvo Part, Tribute to Benjamin Britten; Neeme Jarvi/Scottish National Orchestra

3. Andrew Lloyd Webber, Jesus Christ Superstar, Overture; Soundtrack recording

4. William Bolcom, Graceful Ghost; Spencer Myer, piano

The great Beethoven specialist András Schiff says, "Whatever we do on the piano is a collection of illusions." If that's true, then Volker Bertelmann, the German pianist who goes by the single name Hauschka, is a master illusionist.

Why Azul, one of the finest cello concertos so far this century, had to wait more than 10 years to appear on an album is confounding. It was written in 2006 for one of classical music's most beloved performers, Yo-Yo Ma, by one of today's most popular composers, Osvaldo Golijov. Such are the perennial mysteries of the classical music recording industry.

Libor Ondras has served as the music director of the Great Lakes Chamber Orchestra since 2013. He also is a gifted violist, and he will present a recital on Sunday, March 26 as part of the GLCO’s Sunday Series.

 

Here is our live March 17, 207 broadcast from Corson Auditorium on the campus of Interlochen Center for the Arts. The Interlochen Arts Academy Orchestra performed with the 2016-17 Interlochen Arts Academy concerto competition winners: Andrew Mazanko, Chea Young "Joyce" Kang, and Ailun Zheng.  

Proceeds from this concert benefited the Friends of the Interlochen Public Library.

Piotr Anderszewski might be one of the most revered pianists of his generation, but he's also one of the most impulsive.

In 1990, at age 21, the young Pole entered the prestigious Leeds International Piano Competition. He was nearly finished with his semi-final performance when he quit playing — just walked off the stage. He felt he wasn't good enough to continue. It was a gutsy move that actually helped launch his career.

There is metal between those strings. In a video for "Limonium," Brooklyn-based composer Kelly Moran interrupts the stretched piano wire with corkscrews, forking the paths of sound.

Photo by Marty Sohl/Metropolitan Opera

Met Music Director Emeritus James Levine conducts his third broadcast of the 2016-17 Metropolitan Radio Broadcast season, Mozart’s early masterpiece Idomeneo. The opera, which Levine first conducted at the Met in 1982, stars tenor Matthew Polenzani in his Met role debut as the king Idomeneo, with soprano Nadine Sierra in her role debut as Ilia, soprano Elza van den Heever as Elettra, mezzo-soprano Alice Coote as Idomeneo’s son Idamante, and baritone Alan Opie as Idomeneo’s confidant Arbace.

Buxton Orr (1924-1997) studied medicine until he changed careers in the 1950s and began studying music composition with Benjamin Frankel. Some of his earliest compositions were film scores, and he also wrote songs, chamber music, operas, and musical theater pieces. Recently, Orr’s widow gave tenor Nicky Spence access to several of her husband’s songs that had never before been recorded.

WFIU

Join Classical IPR on the first day of spring (Monday, March 20) at 6 PM for A Springtime Celebration with Early Music Song and Dance. The program features songs and dance music from the Middle Ages, Renaissance, and early Baroque, as well as settings of Palestrina's madrigal Vestiva i colli and French baroque composer Nicolas Chedeville's arrangement of "Spring" from Vivaldi's Four Seasons.

Metropolitan Museum of Art

Thanks to listeners in Prudenville, Marshall, Buckley, Cedar, and many other places for your requests this week.

1. Ludwig van Beethoven, Symphony no. 5, fourth movement; Claudio Abbado/Vienna Philharmonic Orchestra

2. Tielman Susato, Basse danse and Pavane; Jerry Junkin/University of Texas Wind Ensemble

3. Nikolai Rimsky-Korsakov, Russian Easter Overture; Neeme Järvi, Gothenburg Symphony Orchestra

4. John Rutter, Beatles Concerto, first movement; John Rutter/London Philharmonic Orchestra

5. Leroy Anderson, Blue Tango; Catherine Wilson/Ensemble Vivant

Live from Studio A – pianist Spencer Myer

Mar 17, 2017
Andrew Le

Piano soloist, Spencer Myer travels the world performing with orchestras, in solo recital and as a chamber musician. He says keeping and open mind and being versatile are keys to having a fulfilling life in music. Myer is in Northern Michigan this week and will be featured on Sunday with the Traverse Symphony Orchestra. He stopped by IPR’s Studio A to share  music and insights into his artistic experiences. 

Capital Public Radio

Join Classical IPR this St. Patrick's Day (Friday, March 17) at 6 PM for Irish Connections, a celebration of music from and inspired by Ireland. “There are only two kinds of people in the world,” goes the old saying, “The Irish, and those who wish they were.”

This program celebrates the Emerald Isle--from Purcell to Beethoven, from John Field to Victor Herbert.

A recent lawsuit brought by a blind theatergoer against the producers of the hit musical Hamilton has highlighted Broadway's spotty track record in serving audiences with disabilities.

In music, a coda is a passage that brings a musical composition to an end. This is the coda to a musical saga — the story of the Stradivarius violin that was stolen 37 years ago from my late father, violinist Roman Totenberg, and recovered in 2015.

That violin, made by Antonio Stradivari in 1734, was my father's "musical partner" for 38 years as he toured the world.

This Friday, March 17, the Interlochen Arts Academy Orchestra will feature performances by the concerto competition winners. Chea Young Kang, a senior from South Korea, visited IPR's Studio A recently for a performance and conversation.

Ms. Kang won the concerto competition singing “Una Voce Poco Fa” from Rossini’s opera The Barber of Seville. She sang the piece in IPR's Studio A. 

Photo by Marty Sohl/Metropolitan Opera

Rossini’s Guillaume Tell, heard in a performance from November 2016. Gerald Finley stars in the title role of the legendary Swiss patriot William Tell, which he has made a specialty of in recent seasons, with Marina Rebeka as the Austrian princess Mathilde, and Bryan Hymel as her suitor Arnold. The performance was led by Met Principal Conductor Fabio Luisi.

Listen LIVE on Classical IPR on Saturday, March 18 at 1pm ET.

This Friday, March 17, the Interlochen Arts Academy Orchestra will feature performances by the concerto competition winners. Ailun Zheng, a senior from Shanghai, visited IPR's Studio A recently for a performance and conversation.

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