Classical Music

The latest in Classical music from Interlochen Public Radio. You'll find concert recordings, live performances from our very own Studio A, Classical music for kids and so much more. 

Here is our live March 17, 207 broadcast from Corson Auditorium on the campus of Interlochen Center for the Arts. The Interlochen Arts Academy Orchestra performed with the 2016-17 Interlochen Arts Academy concerto competition winners: Andrew Mazanko, Chea Young "Joyce" Kang, and Ailun Zheng.  

Proceeds from this concert benefited the Friends of the Interlochen Public Library.

Piotr Anderszewski might be one of the most revered pianists of his generation, but he's also one of the most impulsive.

In 1990, at age 21, the young Pole entered the prestigious Leeds International Piano Competition. He was nearly finished with his semi-final performance when he quit playing — just walked off the stage. He felt he wasn't good enough to continue. It was a gutsy move that actually helped launch his career.

There is metal between those strings. In a video for "Limonium," Brooklyn-based composer Kelly Moran interrupts the stretched piano wire with corkscrews, forking the paths of sound.

Photo by Marty Sohl/Metropolitan Opera

Met Music Director Emeritus James Levine conducts his third broadcast of the 2016-17 Metropolitan Radio Broadcast season, Mozart’s early masterpiece Idomeneo. The opera, which Levine first conducted at the Met in 1982, stars tenor Matthew Polenzani in his Met role debut as the king Idomeneo, with soprano Nadine Sierra in her role debut as Ilia, soprano Elza van den Heever as Elettra, mezzo-soprano Alice Coote as Idomeneo’s son Idamante, and baritone Alan Opie as Idomeneo’s confidant Arbace.

Buxton Orr (1924-1997) studied medicine until he changed careers in the 1950s and began studying music composition with Benjamin Frankel. Some of his earliest compositions were film scores, and he also wrote songs, chamber music, operas, and musical theater pieces. Recently, Orr’s widow gave tenor Nicky Spence access to several of her husband’s songs that had never before been recorded.

WFIU

Join Classical IPR on the first day of spring (Monday, March 20) at 6 PM for A Springtime Celebration with Early Music Song and Dance. The program features songs and dance music from the Middle Ages, Renaissance, and early Baroque, as well as settings of Palestrina's madrigal Vestiva i colli and French baroque composer Nicolas Chedeville's arrangement of "Spring" from Vivaldi's Four Seasons.

Metropolitan Museum of Art

Thanks to listeners in Prudenville, Marshall, Buckley, Cedar, and many other places for your requests this week.

1. Ludwig van Beethoven, Symphony no. 5, fourth movement; Claudio Abbado/Vienna Philharmonic Orchestra

2. Tielman Susato, Basse danse and Pavane; Jerry Junkin/University of Texas Wind Ensemble

3. Nikolai Rimsky-Korsakov, Russian Easter Overture; Neeme Järvi, Gothenburg Symphony Orchestra

4. John Rutter, Beatles Concerto, first movement; John Rutter/London Philharmonic Orchestra

5. Leroy Anderson, Blue Tango; Catherine Wilson/Ensemble Vivant

Live from Studio A – pianist Spencer Myer

Mar 17, 2017
Andrew Le

Piano soloist, Spencer Myer travels the world performing with orchestras, in solo recital and as a chamber musician. He says keeping and open mind and being versatile are keys to having a fulfilling life in music. Myer is in Northern Michigan this week and will be featured on Sunday with the Traverse Symphony Orchestra. He stopped by IPR’s Studio A to share  music and insights into his artistic experiences. 

Capital Public Radio

Join Classical IPR this St. Patrick's Day (Friday, March 17) at 6 PM for Irish Connections, a celebration of music from and inspired by Ireland. “There are only two kinds of people in the world,” goes the old saying, “The Irish, and those who wish they were.”

This program celebrates the Emerald Isle--from Purcell to Beethoven, from John Field to Victor Herbert.

A recent lawsuit brought by a blind theatergoer against the producers of the hit musical Hamilton has highlighted Broadway's spotty track record in serving audiences with disabilities.

In music, a coda is a passage that brings a musical composition to an end. This is the coda to a musical saga — the story of the Stradivarius violin that was stolen 37 years ago from my late father, violinist Roman Totenberg, and recovered in 2015.

That violin, made by Antonio Stradivari in 1734, was my father's "musical partner" for 38 years as he toured the world.

This Friday, March 17, the Interlochen Arts Academy Orchestra will feature performances by the concerto competition winners. Chea Young Kang, a senior from South Korea, visited IPR's Studio A recently for a performance and conversation.

Ms. Kang won the concerto competition singing “Una Voce Poco Fa” from Rossini’s opera The Barber of Seville. She sang the piece in IPR's Studio A. 

Photo by Marty Sohl/Metropolitan Opera

Rossini’s Guillaume Tell, heard in a performance from November 2016. Gerald Finley stars in the title role of the legendary Swiss patriot William Tell, which he has made a specialty of in recent seasons, with Marina Rebeka as the Austrian princess Mathilde, and Bryan Hymel as her suitor Arnold. The performance was led by Met Principal Conductor Fabio Luisi.

Listen LIVE on Classical IPR on Saturday, March 18 at 1pm ET.

This Friday, March 17, the Interlochen Arts Academy Orchestra will feature performances by the concerto competition winners. Ailun Zheng, a senior from Shanghai, visited IPR's Studio A recently for a performance and conversation.

 

Chandos, Sir Andrew Davis and the Bergen Philharmonic Orchestra bring a landmark new collection by British composer Ralph Vaughan Williams.

 

Metropolitan Museum of Art

Thanks to listeners in Cadillac, Higgins Lake, Ypsilanti, Irons, and many other places for your requests this week.

1. Philip Glass, Mad Rush; performed by the composer

2. Franz Joseph Haydn, Symphony no. 96, third movement; Christopher Hogwood/Academy of Ancient Music

3. Giuseppe Verdi, “Sempre libera” from La traviata; Maria Callas/Alfredo Kraus

4. Gustav Mahler, Symphony no. 4, excerpt of third movement; Leonard Bernstein/New York Philharmonic

5. John Lunn, main titles from Downton Abbey; Angèle Dubeau/La Pietà

Classical music writer Fran Hoepfner (@franhoepfner) joins Here & Now‘s Robin Young to recall her days as a young percussionist learning to play “Petrouchka,” the groundbreaking ballet music that Russian composer Igor Stravinsky wrote in 1911, and

Yesterday, on International Women's Day, most of my friends were in full empowerment mode. They were sporting red clothes, naming their top five women artists, and posting photos of mothers and daughters. But over in the jazz world, International Women's Day was a little more ... awkward. We were busy attending to some much less celebratory women's business, a series of online events that we'll call the Saga of Musical Clitoris.

Review: Jacaszek, 'KWIATY'

Mar 9, 2017

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.


Polish composer Michał Jacaszek's new album KWIATY, which translates as "flowers," strives to locate beauty in desolation. These aren't the kaleidoscopic gardens of Victorian manors. They're the dried petals inside old acrylic paperweights, their life cycles frozen in time.

prx.org

Celebrate International Women's Day on Wednesday, March 8 at 6 PM, when Classical IPR presents "I Am Woman, Hear Me Sing," a program about music written and performed by women. Produced by WFIU's Harmonia, the program explores the music of 16th-century Italian nun Raffaella Aleotti, the first nun to have her work published. Then, Trio Mediaeval goes to 13th-century England with their reconstruction of a Lady Mass.

Marty Sohl/Metropolitan Opera

Verdi’s La Traviata. Soprano Sonya Yoncheva reprises her widely praised interpretation of the heroine Violetta, with tenor Michael Fabiano as her lover Alfredo, and baritone Thomas Hampson as Alfredo’s protective father, Giorgio Germont. The performance is conducted by Nicola Luisotti, Music Director of the San Francisco Opera.

Listen LIVE on Classical IPR on Saturday, March 11 at 1pm ET.

LIBRETTO

Hailed by Opera Today for his “Puccinian fire power and dramatic heat to raise the hair on the back of your neck,” Lester Lynch has longed to record an album of traditional American spirituals since he began his career. Lynch’s newest album, On My Journey Now, is a dream come true. “Music speaks to and heals the human spirit,” writes Lynch in the album’s liner notes. “These songs have had a profound effect on American history.

Metropolitan Museum of Art

Thanks to listeners in Scottville, Wolverine, Cheboygan, Harbor Springs, and many other places for your requests this week.

1. Jamie Allen, arr.; Elephant Love Medley from Moulin Rouge; original motion picture soundtrack

2. Felix Mendelssohn; Octet for Strings, movements 3 & 4; Academy of St Martin in the Fields Chamber Ensemble

3. Julius Fucik; Winter Storm Waltz; Vaclav Neumann/Czech Philharmonic Orchestra

4. Aaron Copland; Variations on a Shaker Hymn from Appalachian Spring; Leonard Slatkin, St. Louis Symphony Orchestra

Outside of show business, the presidency is one of the few jobs that comes with its own song.

In a tradition dating back to the 1800s, when the commander in chief enters the room, the U.S. Marine Band strikes up "Hail to the Chief."

Tune in to Classical IPR on Friday, March 3 at 6 PM to celebrate the 80th birthday of American composer Philip Glass. In February 2016, WFMT host Kerry Frumkin spoke with Glass about his life in music, where he’s been, and what’s inspired him. This program features their conversation, performances of several of Glass's compositions and recordings of works that have inspired Glass over the years.

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