Eric Deggans

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MAISIE WILLIAMS: (As Arya Stark) When people ask you what happened here, tell them winter came for House Frey.

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It's July, but if you're an HBO subscriber and a fan of intense explicit television, winter is here.

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Starting this Sunday, HBO will devote five hours over four nights to perhaps the unlikeliest and most influential partnership in the modern music industry: rap producer and entrepreneur Dr. Dre and rock producer and music executive Jimmy Iovine. Directed by Allen Hughes, The Defiant Ones charts the duo's influence over music from the '70s on, and begins with a $3 billion deal jeopardized by — of all things — a Facebook post.

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It sounds like the title to an awful, self-confessional memoir: Everything I learned about fatherhood, I learned from TV. But, as Father's Day approaches, this TV nerd finds himself reflecting on exactly that, the surprising lessons about fatherhood and parenting that came to me from iconic figures on the small screen.

Anyone hoping to get a sense of how former Fox News star Megyn Kelly might reinvent herself for her new role as NBC News' big hire didn't get a lot of clues from the rather conventional debut episode of Sunday Night with Megyn Kelly.

It was a program which came with some fanfare, particularly if you were watching NBC News platforms in the days leading up to Sunday's debut. MSNBC, Today and NBC Nightly News all broadcast previews of Sunday Night's big get, Kelly's sit-down last week with Russian President Vladimir Putin.

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Twenty-five years ago, television audiences watching the final episodes of "Twin Peaks" heard this.

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UNIDENTIFIED ACTRESS: (As Laura Palmer, unintelligible).

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It seems like it was only yesterday that my friends here on the show said goodbye to "American Idol."

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ARI SHAPIRO, BYLINE: Fifteen years of bad tryouts.

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Don't be distracted by the title of Netflix's latest, button-pushing TV series, Dear White People.

Because, one look at this insightful, irreverent examination of race and society at an Ivy League college reveals it really doesn't focus much on white folks at all.

Indeed, the title Dear White People is a bit of a head fake. This slyly assembled series is really about how a wide range of black and brown students at the fictional, predominantly white Winchester University deal with race, sexual orientation and other identity stuff in the modern age.

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YouTube is launching a streaming TV service Wednesday. It's one of many — Sling, PlayStation Vue and local cable companies among them. But Google-owned YouTube TV offers several features the others don't.

They include a cloud-based DVR with no storage limits, allowing users to record as many shows as they want for later playback. Membership also gives access to original series and movies featured on its other subscription streaming service, YouTube Red. And customers can create up to six accounts on one membership, with up to three streams running at once.

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When a TV show really connects with viewers, it's often a lightning-in-a-bottle experience; a collision of talent, material and public mood that is difficult to define. But that hasn't stopped people from asking Dan Fogelman, the creator of NBC's supersuccessful family drama This Is Us, this question: How did you pull this off?

Fogelman's answer: tone, timing and cast.

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FX's Legion is a superhero TV show that resists admitting it is one.

Which is both the most satisfying and frustrating thing about it.

Here's the setup: David Haller is a well-meaning guy who hears voices in his head. It's driven him to drugs, occasionally criminal behavior and a suicide attempt. (Alert TV fans will recognize the actor playing David as Dan Stevens, who was blue-eyed hunk Matthew Crawley on Downton Abbey).

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Did you watch the Super Bowl?

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Yeah, come on. You know my need for sleep far outweighed my desire to cheer against the Patriots.

GREENE: I like that.

MARTIN: (Laughter).

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The centerpiece of the Black History Month programming on the cable channel BET is a miniseries called "Madiba." "Madiba" is a three-night special on the life of Nelson Mandela. It debuts tonight. NPR TV critic Eric Deggans has this review.

Buzzed-about projects like the musical film La La Land and FX's TV comedy Atlanta won big at Sunday's Golden Globe awards. But the most powerful moment of the night belonged to Meryl Streep, who used her acceptance speech for the honorary Cecil B. deMille Award of the 2017 Golden Globes, to deliver a harsh rebuke of President-elect Donald Trump and to advocate for press freedom.

Here's the biggest understatement of the year: 2016 was the most disruptive moment the mainstream American news media have faced in a very long time.

That's not because so many media outlets misread the presidential election, although that is part of it. And it's not just because so-called "fake news" has become a genuine issue, prompting Facebook and other social media outlets to address fraudulent items formatted to look like legitimate news reports — a long-needed change.

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