Bob Mondello

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Fifty years ago this past weekend, Broadway "let the sun shine in."

The musical Hair was controversial in 1968, with its rock music, hippies, nude scene, multiracial cast and anti-war irreverence. It billed itself as "the American Tribal Love-Rock Musical."

Audiences ... didn't quite know what to make of that. (They figured it out eventually.)

To appreciate how unexpected Hair was in 1968, consider what else was playing on Broadway the week it opened:

Hello, Dolly!

Man of La Mancha

At one point early in the new Marvel movie Avengers: Infinity War, the big, purple bad guy snarls, "The end ... is near."

In a way, he's talking about the Avengers movies themselves. The superhero supergroup has already saved the world in three movies and countless comic books. But this time they're up against that aforementioned bad guy — a violet-colored villainous space-tryant called Thanos (Josh Brolin) — and it's not just the world that's in danger, at least according to his estranged daughter Gamora (Zoe Saldana).

What happens to a relationship when its rules change?

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This Sunday night, some nattily dressed Oscars presenter will read the names of this year's five nominees for best foreign-language film. The politically-charged Foxtrot — which received funding from the Israeli government as well as condemnation from Israel's culture minister (who boasts that she has not seen it) — won't be among them.

That's a shame.

By the time Angels In America got to Broadway in 1993, after workshops, a pair of west-coast stagings, and an ecstatically received London production, it played like the smash audiences had heard it was.

When Orlando (Francisco Reyes) enters a rooftop supper-club in Santiago at the beginning of the film, he can't take his eyes off Marina (Daniela Vega), a striking young vocalist who's crooning lyrics about throwing her boyfriend out with the garbage because, she sings, his love "is like yesterday's newspaper."

She sings that line straight to Orlando, with a little smile. She's definitely not throwing him away ... she's moving into his apartment as soon as they celebrate her 27th birthday.

January is not generally known for its prestige movie premieres. Audiences are usually still catching up on Oscar nominees, which means critics have to look further afield for interesting films. This year, I happened on a comedy that won't be opening in the U.S. for a while — but it struck a chord.

Steven Spielberg's The Post is a story of journalists, government leaks, and a president who hates the press. It's about the publication of the Pentagon Papers in 1971, but there's a reason Spielberg rushed to tell the story now.

And he really did rush: The filmmaker has long talked about making a Pentagon Papers movie, but the 2016 election made him feel it had become urgent. He got the working script just weeks after the Inauguration, rounded up his high-powered cast, and leapt into production as if he were making a little indie flick on the fly.

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Every year between Thanksgiving and Christmas, Hollywood offers up lots of brightly wrapped presents - kid flicks, awards contenders, blockbuster wannabes. And around this time every year, we check in with movie critic Bob Mondello for his holiday movie preview.

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You know what today is? It's Thorsday (ph). Marvel's hammer-throwing Norse god is back in movie theaters. NPR critic Bob Mondello says whole worlds are at stake in "Thor: Ragnarok."

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It would be hard to pay homage to Vincent Van Gogh with more fervor or devotion than filmmakers Dorota Kobiela and Hugh Welchman bring to Loving Vincent, in which they've not only created thousands of new oil paintings in his style, but also made him the subject of a murder-mystery.

The dark, feminist tale, Lady Macbeth doesn't deal with royalty or take place in medieval Scotland. It has no witches, nor much rinsing of blood from hands. It's not even based on Shakespeare. But its leading lady, a teen bride when we meet her, still lives up to that title.

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Fifty years ago, on June 12, 1967, the Supreme Court's decision in Loving v. Virginia legalized interracial marriage. Just two weeks earlier, shooting had been completed on a movie about that very subject — Stanley Kramer's soon-to-be-classic, Oscar-winning, box-office smash Guess Who's Coming To Dinner, starring Spencer Tracy, Katharine Houghton and Sidney Poitier.

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It's a beach in Florida this time — I know you care because we're all here for the plot, right? — and head lifeguard Mitch Buchannon is now The Rock not The Hoff.

"Our team is the elite of the elite," Dwayne Johnson's Mitch tells his Baywatch recruits, "the heart and soul of this very beach."

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