Bob Boilen

This comes close to the quietest Tiny Desk Concert we've ever had. The music Greg Gonzalez makes with his longtime bandmate Phillip Tubbs as Cigarettes After Sex is hushed. The common thread in these songs is minimalism, heard in both Greg's guitar and Philip's synth, that lay just under Greg Gonzalez's barely audible, somewhat spoken singing. Yet, somehow, this sound that barely exists holds together because of the strong melodies in these songs. I find I sing them to myself over and over again.

I know it seems absurd and headline-grabbing, but honestly this song is going to be the high bar to hit for guitar-driven, brokenhearted love songs in the coming year.

Put your love of perfection outside the office door and come in for some office fun. This collaboration between Philadelphia's Kurt Vile and Melbourne's Courtney Barnett is more about newfound friends poking jabs, goofing around and having fun with words than reaching any new musical heights.

There's a brilliant new instrumental project from violinist Andrew Bird. Echolocations: River takes its musical inspiration from landscapes and environments with distinctive acoustics.

Today we have a film of Andrew Bird performing under the Hyperion bridge in Los Angeles's Atwater Village. An earlier Echolocations project was recorded at the Coyote Gulch canyons of Utah in 2015. Andrew wrote us to explain how these compositions take shape.

The Ooz, the title to King Krule's latest album, is the perfect name for his music. It conjures, in my mind, a word mashup of "cool" and "jazz." The music is eerily evocative with lyrics that talk about the sorts of depression singer and guitarist Archy Marshall has dealt with in his young life. And, at 23, he has a lot to say on the subject.

Moses Sumney puts a great deal of thought into the heartfelt music he creates. On his debut album, Aromanticism, he was inspired by everything from the works of Plato and Aristophanes' account of the origin of humanity to the Bible, particularly Genesis and the story of creation. It's all in an attempt to understand human relationships and the sorts of couplings we tend to be drawn to. But despite the working and reworking it took to put these ideas to song, and to then make his brilliant debut, there's a spontaneous side that you'll see in this Tiny Desk Concert.

Benjamin Booker has a deeply tender voice that, at times, can feel like a whisper But it always cuts to the heart. "Believe," his opening number at the Tiny Desk has a yearning for something to hold on to, something to understand. It's a timeless desire which can be about the personal or the political.

This is not your regular music video – it's a six-minute, miniature epic inspired by "Pleader," the closing cut on alt-J's album Relaxer.

For Laura Burhenn, 2016 was a tough year and she wasn't alone. We lost David Bowie, Leonard Cohen, Prince (and so many more beloved artists).

For a time, Marlon Williams and Aldous Harding, two of New Zealand's most talented singers and songwriters were a couple. Now the two have reunited in song for Marlon Williams' brand new 2018 album, Make Way For Love. This duet, "Nobody Gets What They Want Anymore," is the first time they've been officially co-credited on a tune.

ALA.NI's voice is as much a vibe as a conveyer of ideas, of words and thought. For me, it's evocative of love and heart. This video and the song ALA.NI sings illustrates my point. But I'll let ALA.NI tell more in the magnificent note she wrote to me. She has a lot to get out and is obviously passionate about it:

"The message that I wished to convey in the making of this video is...

"LOVE IS LOVE IS LOVE IS LOVE.

"Take it where you can get it, cause lord knows we need as much of it right now in this mad, mad world.

Guest DJ: Weaves

Nov 1, 2017

On first hearing the Gracie And Rachel song "Only a Child," I was struck by the tension and the mystery, both musically and lyrically: "I'm moving my mouth but I don't say a word/My ears are open but nothing is heard/I'm only a child, only a child."

Here is one of the seminal underground records of the late 1960s: The band is Pearls Before Swine, and the album is called One Nation Underground.

This is the most powerful music video I've seen in ages. Inspired by the death of a child, in the midst of a huge refugee crisis, "In Harms Way" takes on a question that songwriter and singer Amanda Palmer says is absent from current political conversations: "Have we forgotten how to be generous?"

We have, nearly five years after the debut release of Woman, new music from Rhye and word of a new album, due next year on Loma Vista. (Given the recent tour announcement that has them hitting the road in February, it's probably safe to say that the album will come not too long after the new year.)

Gaelynn Lea is a violinist, a public speaker and an advocate for people with disabilities. She was born with brittle bone disease and that shapes the way she plays the violin, holding it upright, more like a cello than the traditional method under the chin.

Sego's music is frenetic, agitated and immediate. In a new video for the song, "Whatever Forever," the band speaks to the anesthetized frenzy of the-day-to-day.

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